Presentation


Throughout the history of motion pictures we have witnessed a complex debate around the reciprocal relationship it establishes with other arts, that is mostly defined by creative efforts and experimental gestures in both domains, permeated by the dialogic quality of how those other arts express themselves in cinema and the latter transmutes into the former. From advocating the aesthetic value of a moving image to more hybrid forms built on new benchmarks, cinema dwells on a constantly reciprocating relationship with other arts which takes up many forms, whether because there is tension among them and one is present in the other, or ultimately because borders are blurred. This is a research field that can count on methodological processes capable of structuring scientific discourse due to the operational possibilities of intertextuality and artistic creation’s dialogic quality.
The international meeting Cinema and other Arts will take place for the first time at Universidade da Beira Interior on 24-26 October 2018. Its main focus is to promote the debate/reflection around current issues related to the dialogue between different art forms whose point of contact is the cinema. Seeking to provide interdisciplinary and intercultural reading possibilities, researchers from several scientific areas currently engaged with these issues, albeit in different disciplinary domains or research stages, are invited to participate, especially from the areas of Film Studies, Art Studies and Cultural studies

Programme


Wednesday, 24 October, 2018

9.00 – 9.30 : OPENING SESSION
Anf. da Parada
Vice-Presidente da Faculdade de Artes e Letras, Professora Catarina Moura
Presidente do Dept. de Comunicação e Artes, Professora Gisela Gonçalves
Diretor do Labcom.IFP, Professor Paulo Serra
Panel 1 – Sonoridades
9.30 - 11.00
Sala 2.03
Chair: Nelson Araújo
-
André Malhado – Música inspirada por Blade Runner: intertextualidades e impactos na estética ciberpunk
Bárbara Carvalho – A composição de música original para os filmes A Rosa do Adro (1919) e Os Fidalgos da Casa Mourisca (1921) na construção de um cinema narrativo “tipicamente português”
Panel 2 - Cinema português
9.30 - 11.00
Anf. da Parada
Chair: Sérgio Bordalo e Sá
-
André Rui Graça – Cinema Português e Outras Artes: tecnologias, materiais e pessoas em trânsito
Luís Urbano – Inventar a realidade. Arquitetura e cinema em Portugal, 1956-1974.
Rui Filipe Torres – Cinema e política externa de Portugal
Panel 3 - Literatura e poesia
9.30 - 11.00
Sala 2.04
Chair: Anabela Branco de Oliveira
-
António Júlio Rebelo – Bergman e Camus – um diálogo interrompido
Sofia Mota Freitas Pensas que é proibido morrer? – Um olhar entre Mouchette (1967) de Robert Bresson e os “Poemas de Mouchette” de João Miguel Fernandes Jorge
Vítor Ferreira – “À sua volta agitam-se sombras”: ecos de Andrei Tarkovsky em Luís Quintais
11.00 – 11.30 : Coffee - break
Panel 4 - Conjeturas Artísticas
11.30 - 13.30
Sala 2.04
Chair: André Rui Graça
-
Elisenda Díaz Garcés – The artist at work: la filmación del proceso creativo
Simone Cavalcante da Silva – Character-spectators’ identification in two portuguese contemporary films
Nycolas Albuquerque – A produção de imagens num universo de consenso estético: uma das formas mais cruéis de dominação
Panel 5 - Artes Performativas
11.30 - 13.30
Anf. da Parada
Chair: António Júlio Rebelo
-
Conrado Oliveira – Homoerotismo e Intertextualidade: os banhistas de Henry Scott Tuke em “O Desconhecido do Lago”, de Alain Guiraudie
Sérgio Bordalo e Sá – O evangelho do corpo atlético segundo Leni Riefenstahl
Sylvia Jaimes – Manual de conductas inapropiadas dentro de los gimnasios
Book Store - Linha de Sombra
Permanently, room 2.05C
13.30 – 14.30 : Lunch
14.30 : Plenary session
Anf. da Parada
Anxo Abuín Gonzalez – Cine brechtiano: de Godard a Rocha (y viceversa)
Chair: Anabela Branco de Oliveira
16.00 : Coffee - break
16.30 : Movie and discussion
Anf. da Parada
La Chinoise (1967), de Jean-Luc Godard

Thursday, 25 October, 2018

Panel 6 - Conjeturas Artísticas
9.30 - 11.00
Sala 2.03
Chair: Nelson Araújo
-
Alfonso Palazón Meseguer – El cine doméstico: más allá de los lugares comunes
Carlos Alberto de Matos Trindade – Reflexões em torno das possíveis referências artísticas para a reconstituição histórica no filme Os crimes de Limehouse
Fausto Cruchinho – O que procuram e encontram os pintores no cinema?
Panel 7 - Sonoridades
9.30 - 11.00
Sala 2.04
Chair: Liliana Rosa
-
Filipe Lopes – Musicalidade no ensino do audiovisual
Dorottya Jancsó – Emosanal Attyachar: music as mirror of the emotional narrative in Anurag Kashyap’s Dev.D
Paulo Dias – A impossibilidade da dissonância total no extraordinário caso de Assurancetourix
Pedro Florêncio – Fundamentação teórico-prática para uma pedagogia da audiovisão
Panel 8 - Pintura
09.30 - 11.00
Anf. da Parada
Chair: Luís Nogueira
-
Carlos Alberto de Matos Trindade/Maria Elisa Coelho de Almeida Trindade – Refutação de posição de Andrei Ujica e Borys Groys. Partilhas: cineastas-pintores / pintores-cineastas
Jorge Vaz Gomes – O impulso ecfrástico no filme-ensaio: uma análise a partir de “Santiago” de João Moreira Salles
Maria do Rosário Lupi Bello – O regresso, exemplo de um filme em diálogo com outras artes
11.00 – 11.30 : Coffee - break
Panel 9 - Vanguardas Artísticas
11.30 - 13.30
Sala 2.04
Chair: Maria do Rosário Lupi Bello
-
Ana Luísa AzevedoHello, this is my day today – dos Weather Diaries de Georges Kuchar à geração pós-internet
Inês Cardoso – A distopia do progresso em Fique Qom a Qultura, eu fiko kom o Brazil de Alberto Pimenta e Edgar Pêra
Rui Ribeiro/Luís Nogueira – Receção enquanto ritual no filme e no jogo: os casos Magellan e Vesper5
Panel 10 - Conjeturas Artísticas
11.30 - 13.30
Sala 2.03
Chair: Maria Elisa Coelho de Almeida Trindade
-
Alfredo Taunay – Literatura de cordel e outras artes no filme “Romance”, de Guel Arraes
Morgana Gama de Lima – Alegorias fílmicas: uma proposta de análise para filmes da África
Teresa Nunes – “Rir de tudo tanto que à força de rir nos tornássemos pranto”: o humor negro em Fight Club (David Fincher; 1999)
13.30 – 14.30 : Lunch
14.30 : Plenary session
Anf. da Parada
Eduardo Paz Barroso – Do azul da pintura ao azul do cinema: os ecrãs desdobrados
Chair: Ana Catarina Pereira
16.00 : Coffee - break
16.30 : Movie and discussion
Anf. da Parada
Blue Velvet (1986), de David Lynch
19.30 - 20.00 : Book Presentation
20.30 : Meeting Dinner
Registration

Friday, 26 October, 2018

Panel 11 - Artes Performativas
9.30 - 11.00
Anf. da Parada
Chair: Maria Alzuguir Gutierrez
-
Ângela Cardoso – Pedro e o Lobo – o corpo em Hable con ella, 2002, Pedro Almodóvar.
Daniel Tércio – Raccords e montagem na dança contemporânea: o teatro-dança de Pina Bausch e “From afar it was an Island” de João Fiadeiro.
Marina Campos Magalhães – Dança como documentário: as experiências coreográficas em sua relação com o real e o documental.
Panel 12 - Artes Plásticas
9.30 - 11.00
Sala 2.03
Chair: Manuela Penafria
-
António Afonso Costa – Um filme, três visões: Fotografia e Construção da experiência cinemática
Juliana Froehlich – Mário Peixoto’s Limite|Limit (1931) in between avant-garde and modernism: cinematographic expression through abstraction and experimentalism
Milena Leite Paiva/Anderson dos Santos Paiva – O azul pictórico em Maria Antonieta, de Sofia Coppola
Panel 13 - Conjeturas Artísticas
9.30 - 11.00
Sala 2.04
Chair: António Costa Valente
-
Juliana Chacon Humphreys – A proliferação dos vampiros durante as primeiras manifestações do gênero horror cinematográfico
Luís Fernando Mendes/Sharlene Martins de Araújo – A cor no Cinema: uma evolução tecnológica e estética
Vanessa Mendes Martins – Chão e Caminho — Uma análise d'A Árvore dos Tamancos de Ermanno Olmi em torno da intersubjetividade
11.00 - 11.30 : Coffee - break
Panel 14 - Literatura e poesia
11.30 - 13.30
Anf. da Parada
Chair: Alfonso Palazón Meseguer
-
Eduardo Diogo Nunes – Personagens em migração: o caso da adaptação para cinema de O homem duplicado, de José Saramago
Gaspare Trapani – O exílio de um escritor antifascista: a história de Carlo Levi no filme de Francesco Rosi
Natalia Lopes Acioly/Francisco Lucena Neto – A obra literária e cinematográfica “O vendedor de passados” de José Eduardo Agualusa e Lula Buarque de Hollanda no contexto da lusofonia e dos Estudos dos Elementos Fílmicos
Panel 15 - Arte, Ciência e Filosofia
11.30 - 13.30
Sala 2.03
Chair: Daniel Tércio
-
António Costa Valente – Pode-se imaginar um contexto de “apartheid” para o cinema português?
Carolina Lyra/Nívea Faria de SouzaA deusa branca de Flávio de Carvalho: experiência, cinema e arte
Liliana Rosa – O dizer trágico em Hiroshima meu amor (1959), de Alain Resnais
Maria Alzuguir Gutierrez – Um "experimento sociológico" – o lugar de Brecht na história do cinema
13.30 : End of Meeting
Afternoon - Social Programme
Trip to Serra da Estrela or Belmonte – by registration and it depends on the number of participants.

Keynote Speakers

Eduardo Paz Barroso


© Miguel Nogueira

He is a university professor and cultural programmer, author of a dozen books and about half a hundred catalogs and numerous essays and articles in the field of aesthetics, plastic arts, performing arts, cinema and media analysis. Lecturer and art critic, commissioner of plastic arts exhibitions and colloquiums in public and private institutions from 1980 to the present.
Full Professor of Communication Sciences at the Faculty of Human and Social Sciences of the Fernando Pessoa University. He obtained the title of Aggregate by the Faculdade de Letras e Artes da Universidade da Beira Interior (2009). He holds a PhD in Communication Sciences, specializing in Communication and Culture, from the Faculty of Social and Human Sciences of the Universidade nova de Lisboa (2002) and a degree in Philosophy from the Faculty of Arts of the Universidade do Porto (1986). He was the first Director of the Teatro Nacional São João (1992-95). Consultant of the SBAL of the Calouste Gulbenkian Foundation (1996/2002). He has worked extensively as a professional journalist in various media outlets (1980/92). He was part of the jury panel of the ICA - Film and Audiovisual Institute. He was a member of the Executive Committee of the centenary Manoel de Oliveira. He is a researcher at LabCom (Laboratory of Online Communcation), Universidade da Beira Interior. He is currently president of Coliseu do Porto, nominated by the Porto Metropolitan Area, Oporto City Council and State Ministry of Culture.
In 2018 he commissioned the exhibition "Coliseu Porto 75 Anos de Histórias", which had one of the most emblematic works by the architect Cassiano Branco and edited the respective catalog of which he is also one of the co-authors.

Abuín Gonzalez

Professor of Theory of Literature and Comparative Literature (Accredited to Chair) at the University of Santiago de Compostela. Specialist in performance studies, intermediation and film-literary studies. Among his latest books: El teatro en el cine (Cátedra, 2013), A Comparative History of the Literatures in the Iberian Peninsula (John Benjamins, 2016) y Déplacer, détourner, résister : la performativité artistique en jeu Du théâtre et autores medias (Lansman, 2018). He is director of the Center for Film Studies of the USC. Coordinates the PERFORMA group, which has funding from the Ministry of Economy and Competitiveness. He directs the Literary Terms Dictionary Project for the Ramón Piñeiro Center for Humanities Research.

Call for Papers


The organization Cinema and other Arts invites the whole scientific community to the submission of original proposals that are fitted in the dynamic of the event.
The deadline for submission of proposals is June 15, 2018. Each applicant may submit only one proposal.
Papers may be presented by co­authors, provided that at least one of them is registered in the meeting.
All presentations shall last a maximum of 20 minutes, regardless of the number of co­authors.

Proposal submissions:
Please send your proposal as a Word document or PDF via email (c_@labcom.ubi.pt) including the following information:

  • Author(s)
  • Institutional Affiliation
  • Title of proposal
  • Proposal for paper/presentation (not more than 500 words) plus five key­words
  • Biography of each author (not more than 150 words)

Final articles:

  • The selected final articles will be included in the event's e-Book, and published by LabCom.IFP.

  1. Author guidelines:
    • The submission is an original and is not being considered for publication elsewhere. The articles, as well as the images copyright, are of the exclusive responsibility of the authors.
      Submissions in Portuguese, English, French or Spanish. will be accepted. Submission files are in Microsoft Word. Images are inserted in the text and should be uploaded as supplementary documents (JPEG, PNG or PDF format will be acepted with 300 dpi of resolution)
  2. The article should follow the style standards and bibliographic requisites described next:
    1. The article should not have more than 15 pages and should follow the next structure:
      Title of the article;
      Author;
      Institution/ affiliation;
      Summary and Key-words;
      Text;
      Bibliographic and Filmic references;
    2. Bibliographic and Filmic references:
      References must follow the APA (American Psychological Association) system.
    3. Quotes:
      The quotes and footnotes/endnotes must follow the APA (American Psychological Association) system.
    1. Images: Images must be inserted in the body of the text. All images must have numbered captions using the following format: "Image 1: caption content" (No images will be published without caption).
    2. Formatting instructions:
      Title: Times New Roman, size 14, 1,5 space paragraph, left alignment.
      Author/ Institution: Times New Roman, size 12, 1,5 space paragraph, left alignment.
      Summary and Key-words: Times New Roman, size 10, single space paragraph, justified alignment.
      Body text: Times New Roman, size 12, 1,5 space paragraph, justified alignment.
      Footnotes/Endnotes: Times New Roman, size 10, single space paragraph, justified alignment; footnotes are marked by sequential arabic numerals.
      Quotes: Quotations over 40 or more words must be separated from the body text by a paragraph, size 10, single space paragraph, justified alignment.
      Bibliographic and filmic references: Times New Roman, size 12, single space paragraph, justified alignment.

Work languages

  • Portuguese, English, Spanish and French

Important dates

  • 31.01.2018 - 31.05.2018 – Submitting proposals
  • 15.06.2018 – Deadline extension for submitting proposals
  • 15.07.2018 – Information on the selected papers
  • 30.07.2018 – Participants registration deadline
  • 15.09.2018 – Program - provisional version
  • 30.09.2018 – Disclosure of the final programme
  • 24-26.10.2018 – Cinema and other Arts meeting

Registration


The registration in the event will have an enrollment fee in the value of 40€ for all the participants with a ccepted proposals and who wants to confirm his presence in the event.

The enrollment fee includes: material, coffee breaks, participation and a digital certificated.


Registration is required by sending an email to c_@labcom.ubi.pt including the following information:

  • Full name
  • Institutional Affiliation
  • Profession, occupation or frequented course
  • Email
  • Adress
  • Bank transfer confirmation (copy)
  • [For receipt effects please include the VAT number]

Bank transfer information:

  • Bank name SANTANDER TOTTA
  • IBAN PT50 0018 0003 23220304020 89
  • SWIFT code TOTAPTPL

Note: The event is opened to the whole scientific community, internal or external to the Beira Interior University. Attendance is free without any registration.

Committees


Scientific Committee

  • Abílio Hernandez Cardoso
    Faculdade de Letras, Universidade de Coimbra (PT)
  • Ana Isabel Soares
    Faculdade de Ciências Humanas e Sociais, Universidade do Algarve (PT)
  • António Costa Valente
    Departamento de Comunicação e Arte, Universidade de Aveiro | Universidade de Trás-os-Montes e Alto Douro (PT)
  • Antonio Fatorelli
    Escola de Comunicação, Universidade Federal do Rio de Janeiro (BR)
  • António Preto
    Escola Superior Artística do Porto (PT)
  • Carlos Melo Ferreira
    Escola Superior Artística do Porto (PT)
  • Carmen Peña-Ardid
    Facultad de Filosofía y Letras, Universidad de Zaragoza (ES)
  • Daniel-Henri Pageaux
    Sorbonne Nouvelle, Université de Paris III (FR)
  • Daniel Tércio
    Instituto de Etnomusicologia | Centro de Estudos em Música e Dança, Universidade Técnica de Lisboa (PT)
  • Dietrich Neumann
    Department of the History of Art and Architecture | Urban Studies, Brown University (DE)
  • Francisco Paiva
    Faculdade de Artes e Letras, Universidade da Beira Interior (PT)
  • François Penz
    Department of Architecture, University of Cambridge (FR)
  • Jord den Hollander
    Fimmaker, architect and head of the Architecture Film Festival Rotterdam (NL)
  • Jorge Gorostiza
    Architect and Urban Planner, Gobierno de Canarias (ES)
  • Luís Nogueira
    Faculdade de Artes e Letras, Universidade da Beira Interior (PT)

  • Luís Urbano
    Faculdade de Arquitectura, Universidade do Porto (PT)
  • Manuel Deniz Silva
    Instituto de Etnomusicologia | Centro de Estudos em Música e Dança, Universidade Nova de Lisboa (PT)
  • Maria Da Luz Correia
    Centro de Estudos de Comunicação e Sociedade, Universidade do Minho | Universidade dos Açores
  • Maria do Rosário Lupi Bello
    Departamento de Humanidades, Universidade Aberta (PT)
  • Margarida Medeiros
    Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa (PT)
  • Maria Irene Aparício
    Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa (PT)
  • Maria João Castro
    Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa (PT)
  • Mirian Tavares
    Faculdade de Ciências Humanas e Sociais, Universidade do Algarve (PT)
  • Paulo Filipe Monteiro
    Universidade Nova de Lisboa
  • Paulo Serra
    Faculdade de Artes e Letras, Universidade da Beira Interior (PT)
  • Sérgio Guimarães de Sousa
    Instituto de Letras e Ciências Humanas, Universidade do Minho (PT)
  • Susana Nascimento
    Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa (PT)
  • Susana Lourenço Marques
    Faculdade de Belas Artes, Universidade do Porto (PT)
  • Tito Cardoso e Cunha
    Faculdade de Artes e Letras, Universidade da Beira Interior (PT)
  • Vasco Carvalho
    Escola das Artes, Universidade Católica do Porto (PT)


Organizing Committee
  • Anabela Branco de Oliveira
    UTAD | LabCom.IFP
  • Ana Catarina Pereira
    LabCom.IFP
  • Liliana Rosa
    IFILNOVA, FCSH.UNL
  • Manuela Penafria
    LabCom.IFP
  • Nélson Araújo
    CEAA / ESAP
Executive Committee
  • Mércia Pires
    Secretary
  • Sara Constante
    Designer
  • Susana Costa
    Web Developer
  • Delfina Rodrigues
    Translator
  • LabCom.IFP
    Logistic Support

Contacts

Geral:
c_@labcom.ubi.pt

Location

Universidade da Beira Interior
Faculdade de Artes e Letras
Departamento de Comunicação e Artes
Rua Marquês D'Ávila e Bolama
6201-001 Covilhã, Portugal

Phone
(+351) 275 242 023 / ext. 1201

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Useful Information


By public transport:

  • From Lisbon - train or bus (average journey time: 3:30 to 4 hours)
  • From OPorto - Bus (average journey time: 3:30 to 4 hours)


By car:

  • From Lisbon - Highways A1 and A23
  • From OPorto - Highways A1, A25 and A23
  • GPS: +40° 16' 40.31" -7° 30' 32.30"


Accommodation: